It’s been seven years since Joey B dropped Tonga. The sound has shifted, but Joey is more relevant than ever. “I know hit songs are important, but I genuinely want to make music for my fans.
When you listen to Lava Feels you’ll see I’m not there for the hits, I’m here for the culture.”
The culture is hip hop. “I’m a rapper before anything else, I’m a wordsmith.The Ghanaian hip hop community is now growing, in fact it’s been growing for some time.”
What Joey is referring to is the shift from hiplife, rapping over highlife-flavored beats, to straight trap, pioneered in Ghana by himself and the likes of Pappy Kojo and Sarkodie, and now spreading to the next generation, with acts like Kwesi Arthur, Kofi Mole and La Même Gang.
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